Phil Harrell

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

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Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

On paper, Wajatta is a musical pairing that shouldn't work. The duo is composed of Reggie Watts, a fly-by-the-seat-of-his-pants improviser, and John Tejada, a meticulous electronic composer. Despite seeming like a bit of an odd couple, Don't Let Get You Down, their second collaboration, was just released today.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this edition, Guy Raz, host of NPR podcasts How I Built This and Wow in the World, makes a case for Talk Talk, a band that hit No. 1 on the U.S. dance charts with the song "It's My Life." Read Guy in his own words below, and hear the radio version at the audio link.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

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Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explai

Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this installment, NPR Music's Stephen Thompson argues that we should know more about Harvey Danger. The band's 1997 song "Flagpole Sitta" was a staple on rock radio, but the group was never able to reach that sort of mainstream success again. Read Thompson in his own words below, and hear the radio version at the audio link.

Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this installment, Rolling Stone contributing editor Anthony DeCurtis talks about living in Atlanta in the early 1980s, when the band The Georgia Satellites hit No. 2 on the pop charts with its debut single. Read DeCurtis in his own words below, and hear the radio version at the audio link.

Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this installment, NPR Music's Ann Powers argues that Janis Ian, who won the Grammy for best pop vocal performance in 1975 for "At Seventeen," pioneered what we now consider the adult contemporary genre. Read Ann in her own words below, and hear the radio version at the audio link.

Last week, Morning Edition began a series called One-Hit Wonders / Second-Best Songs. Each segment focuses on a musician or band whose career in the United States is defined by a single monster hit, and explains why their catalog has much more to offer.

In this installment, Zane Lowe, host of Apple Music's Beats 1 radio, makes his case for Spandau Ballet, a group whose sensual song "True" was a Top 10 hit in the U.S. in 1983 and endures as a film sync favorite. Read Lowe in his own words below, and hear the radio version at the audio link.

This week, Morning Edition begins a series called One-Hit Wonders / Second-Best Songs. Each segment focuses on a musician or band whose career in the United States is defined by a single monster hit, and explains why their catalog has much more to offer.

It was the elephant in the room. Over 20 years after parodying NPR hosts in her recurring sketch, "The Delicious Dish," former Saturday Night Live cast member Ana Gasteyer sat down for an interview with NPR host Noel King.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

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Nadia Tehran's debut album, Dozakh: All Lovers Hell, opens with a haunting excerpt from an interview with her father. Tehran's father recounts his last day fighting in the Iran-Iraq war in the 1980s, when he drove an ammunition-filled car that exploded after it was attacked. "Death comes when it comes," Tehran's father recalls saying to rally his troops for that ill-fated expedition. "One should not be afraid of death."

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This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action.

Every generation has a handful of songs that invoke memories of sweltering days at the beach, barbecue or backyard and the warm nights that follow. Since it's that time of the year again, we're asking: What are the songs of the summer for 2018?

Pioneering rockers like Jerry Lee Lewis and Little Richard brought the fire of a Pentecostal preacher to their pianos. That same spirit is alive and well in the work of Low Cut Connie, whose fifth album Dirty Pictures (Part 2) comes out May 18.

James Brown once said, "I've only got seventh grade education, but I have a doctorate in funk, and I like to put that to good use."

In 1946, Nat King Cole became the first recording artist to wrap his lush vocals around what would become a standard of the holiday season, "The Christmas Song." But that song was written by a different crooner: Mel Tormé.

NPR's Noel King spoke with Mel Tormé's youngest son, James — an accomplished jazz singer himself — to get the story behind the creation of this Christmas classic.

Baltimore's Lafayette Gilchrist is a jazz pianist, but when his band the New Volcanoes backs him up, listeners also get something different: a go-go beat.

"Here is musical sterility at its pinnacle. A band that has absolutely no soul, no feeling in the music," critic Lester Bangs declared in 1975. The target of his derision? The British progressive-rock group Emerson, Lake & Palmer. Bangs disdained the band's objective, as he saw it, "to play pre-set solos as fast as you possibly can, [at] breakneck speed, and do it for about five hours."