Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Teyana Taylor stars as a mom trying to build a home for her son in an intimate Sundance Film Festival winner that's more surprising than it looks. -
Tori and Lokita is the latest gripping moral thriller from Belgian filmmakers Jean-Pierre and Luc Dardenne. The story is swift and relentless; it runs barely 90 minutes and never slows down.
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Palm Trees and Power Lines is a gripping cautionary tale about abuse and trafficking — but it is scrupulous in its refusal to sensationalize.
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A withdrawn 9-year-old spends the summer with two distant relatives in this Oscar-nominated film. The Quiet Girl's main character may be unassuming, but there's nothing insignificant about this film.
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A new film captures the complexity of family relationships by freely speculating about the lives of 19th-century English writer Emily Brontë and her siblings.
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The third and final Magic Mike movie isn't nearly as sexy or entertaining as its predecessors. Mike (Channing Tatum) is now bartending and is seduced by a London socialite (Salma Hayek Pinault).
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The Cannes award-winner Close -- about two inseparable teen boys — is for anyone who thought their childhood friendship would last forever. It's a beautiful Belgian film, but takes the easy way out.
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Eight women come together in a hayloft to decide what's next after their religious colony is devastated by sexual violence. Sarah Polley adapted Miriam Toews' novel, which was drawn from true events.
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In 2010, Iranian the authorities charged Jafar Panahi with making anti-government propaganda. No Bears, which was filmed in secret, is a brilliant, layered drama — and an idiosyncratic self portrait.
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Fresh Air's film critic says it was a terrific year for movies but also a dispiriting one. Blockbusters brought audiences back to theaters, but romantic comedies and grown-up dramas often struggled.
