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  • The strike in Chicago, the nation's third-largest school district, raises questions about teachers unions nationwide. Jane Hannaway, vice president of the American Institutes for Research, and Andrew Rotherham, co-founder of Bellwether Education, explain how different teachers unions work.
  • Letta Tayler recently returned from Iraq, where she documented stories about the militant Islamist group ISIS and abuses by the Iraqi government. She tells Fresh Air what she learned.
  • The festival concluded Saturday. Fresh Air critic John Powers discusses the winners and the films that generated the biggest responses — both positive and negative.
  • Democrats kicked off their convention with first lady Michelle Obama and keynote speaker Julian Castro. NPR's Ken Rudin and Democratic Chair Emeritus and former governor Howard Dean talk about the convention and what the president should say Thursday.
  • The Nobel Peace Prize-winning journalist faced criminal charges in the Philippines after her news site's reporting angered government officials. How to Stand Up to a Dictator is her new memoir.
  • Alaya Dawn Johnson's new young adult novel, The Summer Prince, is set in post-apocalyptic Brazil, in a giant pyramid-shaped city ruled by queens with a combination of technology and ancient, bloody sacrifice.
  • New York Times reporter Mark Mazzetti says prior to Oct. 7, Israel's leadership was focused on an attack by Iran and its proxies --not Hamas. "They were ... myopic about what the true threat was."
  • Iran says its attack against Israel was a success. The House plans to hold separate votes on aid for Israel and Ukraine. Supreme Court hears challenge to law used to prosecute Jan. 6 defendants.
  • Many of the year's best challenged America's record on race, critiqued widespread cultural erasure, or broke conventions of genre, gender and identity within the space of rap itself.
  • The Academy of Motion Picture Arts and Sciences has changed the way they nominate documentaries for the Oscars. One of the most controversial changes — proposed by filmmaker Michael Moore — is that films must be reviewed by The New York Times or the Los Angeles Times.
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