Fresh Air

Mondays through Thursdays, 2 to 3 p.m.
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

Everyone is familiar with the official film genres, like the Western or the romantic comedy. But most of us divide movies into less intellectual categories.

There are movies that everybody has to see, like A Star is Born. There are movies you couldn't pay me to see; in my case, that's anything with the word "Saw" in its title. And then there are movies we know we ought to see but dread having to go.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Last week, Facebook announced the most serious security breach in its history, in which unknown hackers were able to log onto the accounts of nearly 50 million Facebook users.

Sarah Smarsh is a daughter of the white working class. Born in rural Kansas, Smarsh traces her lineage back through five generations of family farmers. She also traces herself back through generations of teenage pregnancies; Smarsh's mother was just 17 when she had her.

Writer and director Tamara Jenkins was in her early 40s and struggling with infertility when she and her husband began what she calls a "by any means necessary" campaign to have a child.

It was an emotionally draining time. They looked into international adoption and also began in vitro fertilization treatment. A friend in whom Jenkins confided encouraged her to write about her experiences, but Jenkins demurred.

"I was horrified and just repulsed," she says. "I would never write about this stuff."

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