Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Courtney Marie Andrews and Rhiannon Giddens harmonize with all their hearts on the Carter Family's "You Are My Flower" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Lizz Wright stuns with a somber version of "Strange Fruit," made famous by Billie Holiday, during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Charenée Wade dazzles with her Ella Fitzgerald-style vocalese, performing the Mary Lou Williams composition "What's Your Story Morning Glory?" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Xiomara Laugart, joined by Lea-Lorién Alomar and Gerardo Contino and the house band, pays tribute to Celia Cruz with a lively "Guantanamera" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Valerie Simpson burns it all down performing "Send Me To the 'Lectric Chair," a signature song of Bessie Smith, during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Chills all around as Lizz Wright and Rhiannon Giddens invoke the spirit of concert music great Marian Anderson with the spirituals "Deep River" and "Go Down Moses" during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Rhiannon Giddens gets the spirit — of fierce rock and roll independence — as she leads the band in a rousing version of the gospel classic "Up Above My Head," made famous by Rosetta Tharpe and Marie Knight in 1947.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

Just try to keep up with Charenée Wade as she slays "Cotton Tail," which Ella Fitzgerald included in her 1957 Ellington songbook album, during the 2019 NPR Music Turning the Tables opening concert at Lincoln Center.

Watch the full Turning the Tables tribute to 8 Women Who Invented Popular Music, recorded live at Lincoln Center's Damrosch Park and read more about the series.

The trash on the Venice boardwalk sparkles like Wet n Wild lip gloss. This is what people forget about Los Angeles beaches: They're part of the city, inundated with the city's grit. Half-melted Icees in Styrofoam cups, one flip-flop, taco foil, condoms, a dead vape pen. Needles. But also: a Swarovski crystal earring. A pinwheel unmoored from its handle. A streak of gooey glitter. Coins of many lands. A few miles up the Pacific Coast Highway, away from the skateboarders and homeless people, WASPs sun themselves at country clubs as employees sweep the sands.

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