Robert Siegel speaks with former top diplomat Thomas Pickering, who led the State Department's investigation into the September 2012 attack on the U.S. consulate in Benghazi, Libya. Pickering's report was criticized by witnesses at this week's congressional oversight hearing about the administration's handling of the attacks.
Allison Amend is out with her third book. It's a novel called "A Nearly Perfect Copy." It features richly detailed characters, including an art dealer gone bad, and it's set in both Paris and New York. Our review Alan Cheuse found it all quite delectable.
A young Sarah Polley and her actor father, Michael Polley, on a long-ago day; the photo is one of many family memories that surface in Stories We Tell, a superb meditation on dramatizing memory from the director of Away from Her.
Credit Roadside Attractions
Polley in the present day, with her Super-8 camera.
Sarah Polley grew up the fifth of five children in a Canadian theatrical family. Her father, Michael, is a transplanted British actor; her mother, Diane, was an actress and casting director. No wonder Sarah feels her family's narrative has the stuff of drama.
"I'm interested in the way we tell stories about our lives," she says in the film, "about the fact that the truth about the past is often ephemeral and difficult to pin down."
Garment workers sew T-shirts at a factory in Dhaka, Bangladesh, in 2009. Bangladesh, the world's second-largest clothing exporter, has lured clothing makers through a combination of low wages and light regulation.
Eight people died Wednesday in a fire at a Bangladeshi sweater factory. This follows the much deadlier collapse of the Rana Plaza building, where more than 900 people died.
The deaths are taking place in a garment sector that has seen explosive growth over the past three decades. The country has managed to lure clothing-makers through a combination of low wages and light regulation.
As a manufacturing center, Bangladesh has little to recommend it. The roads are poor. There's no port to speak of. The electricity is notoriously unreliable. It's politically unstable.
Journalists make choices all the time that influence our understanding of the news — the choice of what stories to cover, which people to interview, which words to use. And major news organizations have been reconsidering how best to describe a group of people whose very presence in this country breaks immigration law.
One of the few women competing in Pakistan's parliamentary election on Saturday is Naz Baloch, 33, a first-time candidate. She's the daughter of a politician, but is running for a different party than her father.
Flags of the competing political parties whip in the wind of seaside Karachi. But little else is stirring in this city of 18 million this day.
The MQM, a leading political party in the megacity, has shut Karachi down with a general strike in response to a deadly bombing at its election office. But as soon as the strike ends, the streets spring to life as if nothing were amiss.
In 1961, Mel Brooks and Carl Reiner came up with some basic theories of caveman linguistics in their 2,000-Year-Old Man skit. Most of them had to do with rocks, as in, "What are you doing with that rock there?"
Now, a professor in England has questioned the validity of the famous caveman's rock-centric theories. And Mark Pagel of the University of Reading is reaching even further back, to the time of the 15,000-year-old man.
Light It Up: Director Baz Luhrmann (right, with stars Leonardo DiCaprio and Carey Mulligan on the set of The Great Gatsby) brought a lush visual sensibility to a tale whose tone not everyone thinks of as epic.
Credit Jaimie Trueblood / Paramount Pictures
The Bang-Bang Club:Pain & Gain, with Anthony Mackie, Mark Wahlberg and Dwayne Johnson as three guys on a heist, is a coulda-been-nimble caper that got Michael Bay-ified on the way to the multiplex.
Here's a movie pitch: A celebrated millionaire, known for public extravagance, lives right on the water in a fabulous mansion. He's smooth but reckless, drives like a maniac, has a powerful enemy and — despite a rep as a playboy — has only one girlfriend, who barely registers on-screen.
You're the producer, so whaddya think? Does his story require lavish digital effects, swooping cameras, a rap soundtrack and the full-on 3-D treatment?
If I tell you his name is Tony Stark, otherwise known as Iron Man, probably yes, right?